Single-channel video collage reflecting on transitional notions of purity and beauty.
my leprosarium
i remember the images of firdos square,
in baghdad,
in 2003,
a giant saddam,
tumbling,
head first,
into a crowd,
like greg louganis,
like a hood at the gallows,
i remember the ephemeral us flag,
the chain leash,
and exotic white marble,
i remember wanting to change the channel.
like the debris,
and unaligned,
perforated marble,
when renaming a metro station,
or vcr,
in a skip,
in that moment,
of severance,
beyond preservation,
or promise of ruin,
when history is defined,
by the intricacies,
of disfiguration,
just absent,
like a phantom limb.
and bleak,
like the facade,
of a multiplex,
in malaga,
in 1995,
the sterility,
monolithic,
and euthanising,
but glorious,
and un-apologeticly,
consumptive,
in a sentiment,
not unlike,
the cascading red flag,
of the reichstag,
reversing,
impertinent,
and blind.
and so equally,
with discomposure,
defacing the possessions,
of a ten year old,
ambivalently,
placed on a shelf,
amidst glass partitions,
uncovered in pairs,
and reclaimed by trauma,
i reconstruct a vision,
of certainty,
and peace time,
beyond banality,
and mediocrity,
to conceal,
fragility
by looting,
with confidence,
the conquered remnants,
of a displaced nostalgia,
like toppling statues,
in my leprosarium.
socl:e collective: Uglification. Metaculture - Kyiv, Ukraine, 2019.